Jambeaux, everyone!!! Welcome to another episode of the Magic Our Way podcast. It is our first major holiday show!!! It’s is our 3.5 hour July 4th American Independence Day spectacular!!!!….not really. It is a long show, however…1 hour and 45 minutes long. Kevin had a lot of fun coming up with new jingles, background music, and sounds for this 4th of July special. What’s even better is that this is a regular format show…somewhat. LOL!!!

In this week’s Queue, the boys do not necessarily chat about the latest news. However, while waiting in line, they do decide do a salute to patriotic things at all of the Disney parks…. but mostly Walt Disney World and Disneyland. A lot of help came from the Military Disney Tips blog on the http://www.militarydisneytips.com website. This website has a great series of blogs related to experiencing all things patriotic that happen in Walt Disney World. This is not just talking about the special events that happen on July 4th, but rather things of a patriotic nature that happen year-round. This is the stuff that makes the hairs on the back of an American’s head stand up whenever you visit them. Things mentioned include the Disney flag retreat, the Hall of Presidents, the American Adventure, and the Shades of Green resort.

And then, in the Hub, the boys discuss a 1990s Eisner creation that never saw the light of day: Disney’s America theme park. This resort was to be placed in Haymarket, Virginia not far from Washington, D.C. This theme park was to be dedicated to the history of the United States from the 1840s to 1945. They explore the layout of the park including all of the lands, the proposed attractions, where some of the ideas ended up, and instances that led to the downfall and demise of Eisner’s pet project. 

And lastly, we end the show not with our regular closing jingle, but with the popular song from the American Adventure pavilion, “Golden Dream.” This celebrates the spirit of America and serves as our salute to the nation’s birthday.

As always, if you like the show, please rate us and leave a review in the iTunes Store. We do appreciate you taking the time to do so. Also, you can find us on Facebook and follow us on Twitter (@magicourway). Find some of our video statuses on Keek.com. If you have any suggestions or comments for the show, please do not hesitate to contact us at magicourway@gmail.com. We will be sure to read your email on the air, unless you tell us not to. We do want to hear from our fans and we want you to be part of our discussion. Also, check out our slowly growing website at http://www.qmarkproductions.com.

Thanks again for listening to us. We do realize that you have many choices when it comes to Disney podcasts and we appreciate your attention. Also, we were talking about seatbelts. Plug them in. Use them. It can get kinda choppy out there, so keep your hands and arms inside the podcast at all times. Flash photography? I wouldn’t. It alters the podcast’s homing signal and that’s not good.

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Kevin Hulk

Kevin Estoque

I attribute my Disney fandom to my parents, specifically my mother. When we lived in New York City, my parents brought me down to Walt Disney World when I was one year old, and then every year after that. This was an easy adventure for my parents as there was only one park at the time. The trek became more accessible when we relocated to New Orleans. I traveled to Walt Disney World almost every year, whether with my parents, as part of a band trip, or with friends. I was a fan and would collect all things Disney, from park maps and park tickets to brochures procured from the Florida welcome center or the Okahumpka Service Plaza on the Florida Turnpike. Then, one day while I was in high school, my friend, David, bought me a used copy of Steve Birnbaum’s Walt Disney World Guide from my high school’s Christmas Bizarre. From this point on, my obsession exploded as I discovered the world of Disney-related literature. With this new resource and the dawn of the Internet and Disney-related newsgroups, I began acquiring as much knowledge as possible.

I entered the world of podcasting in 2005 when I discovered that my fellow bandmates had a podcast of their own, The Big Easy Trickbag. From here, I found the world of Disney podcasts. In reality, I was podcasting before the medium even existed, privately for myself. I started reading the WDW park guidebooks into a tape recorder word for word. This eventually grew into me doing a pseudo-news show. My tape recorder would document my travels with my friends on band trips. 

I attribute my leap into podcasting to two individuals who hail from New Jersey: well-known Disney trivia guru and podcasting veteran Lou Mongello and director and podcaster Kevin Smith. I started listening to Kevin Smith’s show, Smodcast and saw how much fun he and his friend, Scott Mosier, were having while recording the show. Several times on this particular podcast, Kevin Smith would break down how easy it was to begin in this medium. Lou Mongello’s positive and constant embodiment of the phrase “keep moving forward” gave me the impetus to pursue this podcasting venture. You see, I have always had a desire to work for the company and be part of something that brings so much joy to people daily. But, that path has never been presented to me yet. Podcasting, however, was very accessible to him. I discovered that my friend, Danny, also had a Disney obsession, and the rest is what you are witnessing before you.

I entertain the masses as a professional musician when I am not podcasting. I have played and recorded with several bands, but I am primarily a freelance musician. I have played numerous events around the New Orleans metropolitan area and the Gulf Coast as a freelancer. I have worked for several Broadway tours that have come through such as Wicked, Mary Poppins, and Shrek the Musical; for several performing acts on the Gulf Coast such as Johnny Mathis, Jerry Lewis, Frank Sinatra Jr., and Regis Philbin; and for several local musical production companies such the New Orleans Center for the Creative Arts and the Jefferson Performing Arts Society; and for the Louisiana Philharmonic Orchestra as an extra musician. On a national level, Kevin worked for the Music Box Company on the 1st National Tour of the Phantom of the Opera as a substitute musician until its closure. Kevin was raised a New Orleanian and is a fierce advocate for its culture. LAISSEZ LES BON TEMPS ROULE!