Jambeaux, everyone!!! Welcome to another episode of the Magic Our Way podcast. We appreciate you listening to our show and we hope it brings a smile to your face. Factoid of the day: most Animal Kingdom animals are real…the dinosaurs are not.

The trips are over for now and we are VERY excited to get back to recording our shows for you. We lead off with an awesome one: Danny’s Disneyland Paris Trip report. Joining us on today’s show is his travel companion and always-beautiful wife, Anna. But first, some news.

In the Queue. we cover the following news stories:

  • Seven Dwarfs Mine Train animatronics
  • Kevin’s World Music lecture: Off Kilter, why are there kilts in Canada?
  • Debunking an April Fools’ Joke
  • Where is all the Frozen merchandise?!?!?!

and much, much more!

This week we discuss a very simple topic: Danny’s Disneyland Paris Trip Report. The great thing about this report is that Danny and Anna are both first-time visitors to this Disney resort. We get to hear about their journey across the pond and having to deal with a culture almost completely foreign to them. And, we get to hear how this culture affected their experience in the Disneyland Paris park. Lastly, of course we talk about the attractions and the food and answer your questions sent in to us via Twitter and Facebook. Do you want to add to the discussion? Email us at magicourway@gmail.com or send us a message through Facebook or Twitter. We would love to hear what you have to say. We always promise to give the Disney fan a voice!

Production Note: for next week’s show, we present our first book review and it is a big one. We review Lou Mongello’s 102 Ways to Save Money For and At Walt Disney World.  If you have ideas for shows that you want to hear in the future or if you want to share your thoughts on this book, send us a message at magicourway@gmail.com

As always, if you like the show, please rate us and leave a review in the iTunes Store. We do appreciate you taking the time to do so. Also, you can find us on Facebook (http://www.facebook.com/magicourway) and follow us on Twitter (@magicourway). With Facebook and Twitter you will be able to find out when we are recording our show and ask us a question while we are recording. You may just hear a shout out for you and your question being answered on that week’s show. If you have any suggestions or comments for the show, please do not hesitate to contact us at magicourway@gmail.com. We will be sure to read your email on the air, unless you tell us not to. We do want to hear from our fans and we want you to be part of our discussion. Also, check out our slowly growing website at http://www.qmarkproductions.com and our soon to be website on http://www.magicourway.com. Also, you can now find us on Stitcher, Blackberry, Blubrry, and Double Twist for your listening convenience. 

 

Thanks again for listening to us. We do realize that you have many choices when it comes to Disney podcasts and we appreciate your attention. The Magic Our Way Podcast always remains seated until the ride vehicle has come to a complete stop.

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Kevin Hulk

Kevin Estoque

I attribute my Disney fandom to my parents, specifically my mother. When we lived in New York City, my parents brought me down to Walt Disney World when I was one year old, and then every year after that. This was an easy adventure for my parents as there was only one park at the time. The trek became more accessible when we relocated to New Orleans. I traveled to Walt Disney World almost every year, whether with my parents, as part of a band trip, or with friends. I was a fan and would collect all things Disney, from park maps and park tickets to brochures procured from the Florida welcome center or the Okahumpka Service Plaza on the Florida Turnpike. Then, one day while I was in high school, my friend, David, bought me a used copy of Steve Birnbaum’s Walt Disney World Guide from my high school’s Christmas Bizarre. From this point on, my obsession exploded as I discovered the world of Disney-related literature. With this new resource and the dawn of the Internet and Disney-related newsgroups, I began acquiring as much knowledge as possible.

I entered the world of podcasting in 2005 when I discovered that my fellow bandmates had a podcast of their own, The Big Easy Trickbag. From here, I found the world of Disney podcasts. In reality, I was podcasting before the medium even existed, privately for myself. I started reading the WDW park guidebooks into a tape recorder word for word. This eventually grew into me doing a pseudo-news show. My tape recorder would document my travels with my friends on band trips. 

I attribute my leap into podcasting to two individuals who hail from New Jersey: well-known Disney trivia guru and podcasting veteran Lou Mongello and director and podcaster Kevin Smith. I started listening to Kevin Smith’s show, Smodcast and saw how much fun he and his friend, Scott Mosier, were having while recording the show. Several times on this particular podcast, Kevin Smith would break down how easy it was to begin in this medium. Lou Mongello’s positive and constant embodiment of the phrase “keep moving forward” gave me the impetus to pursue this podcasting venture. You see, I have always had a desire to work for the company and be part of something that brings so much joy to people daily. But, that path has never been presented to me yet. Podcasting, however, was very accessible to him. I discovered that my friend, Danny, also had a Disney obsession, and the rest is what you are witnessing before you.

I entertain the masses as a professional musician when I am not podcasting. I have played and recorded with several bands, but I am primarily a freelance musician. I have played numerous events around the New Orleans metropolitan area and the Gulf Coast as a freelancer. I have worked for several Broadway tours that have come through such as Wicked, Mary Poppins, and Shrek the Musical; for several performing acts on the Gulf Coast such as Johnny Mathis, Jerry Lewis, Frank Sinatra Jr., and Regis Philbin; and for several local musical production companies such the New Orleans Center for the Creative Arts and the Jefferson Performing Arts Society; and for the Louisiana Philharmonic Orchestra as an extra musician. On a national level, Kevin worked for the Music Box Company on the 1st National Tour of the Phantom of the Opera as a substitute musician until its closure. Kevin was raised a New Orleanian and is a fierce advocate for its culture. LAISSEZ LES BON TEMPS ROULE!